πŸ”₯ The Ultimate Guide to Film Credits Order Hierarchy (with Template)

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Movie title sequences set the tone, atmosphere and characters of a film More of an intro than a title sequence, the beginning of the Academy.


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The 50 Best Opening Credit Sequences Of All Time | IndieWire
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Blade Runner - Opening Titles (HQ)

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Casting Director.


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Top 10 Opening Credit Sequences in Movies

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From a range of eras and genres, here's Jenny and Alex's light-hearted pick of 50 great opening title sequences from the movies.


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Se7en - Opening Titles

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As confident and minimalistically terrifying as the movie itself, the opening to Ridley Scott's β€œAlien” pans across quiet space as the title.


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One of the best ever opening titles to a movie - LA Story (Steve Martin)

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As confident and minimalistically terrifying as the movie itself, the opening to Ridley Scott's β€œAlien” pans across quiet space as the title.


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Top 10 Opening Shots of All Time

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In a motion picture, television program or video game, the opening credits or opening titles are In movies and television, the title and opening credits may be preceded by a "cold open," or teaser (in other words, a brief scene prior to the main.


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The Big Country - Opening Titles HQ

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The opening title sequence of a film is that film's opportunity to make a good first impression on you, the viewer. A well-crafted title sequence.


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Spider-Man 2 Main Titles

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a FILMMAKER film.


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Saul Bass: The Art Of The Title Sequence

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From a range of eras and genres, here's Jenny and Alex's light-hearted pick of 50 great opening title sequences from the movies.


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10 Best Opening Title Sequences of All Time

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From a range of eras and genres, here's Jenny and Alex's light-hearted pick of 50 great opening title sequences from the movies.


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Superman [1978] - Opening Titles/Credits Sequence (4K)

We are then left for two and a half minutes, unsure of what we're witnessing. The sequence features some beautifully executed glitch action and liberal use of halftone and visual sound effect flashes to emphasise the comics feel, and it all culminates in a shot of the Spider-Man we all know and love. Artist and musician Daryl Waller says: "This was released the year that I was born. The creator of iconic cartoon characters such as Yosemite Sam, Speed Gonzales and Sylvester and Tweety, Freleng produced an inspired cartoon short for The Pink Panther, turning the film's titular diamond into an actual pink panther who proved so popular that he swiftly became the star of his own long-running series of cartoons, as well as featuring in the titles of nearly all of the Pink Panther movie sequels. The best 3D movies of Spider-Man: Into the Spider-Verse. Once the film sold to Foxlight, Jared Hess was able to film the iconic titles that have gone on to influence many a film. Incorporating negative space was intentional β€” it symbolised pockets of her blackout. There's the iconic gun barrel sequence, there are sexy dancing ladies in silhouette form and of course there's the James Bond theme by Monty Norman; basically you can see most of the elements that would form the template for the rest of the series' openings. For this sequence Williams sought to bring the natural texture of real paintings into the 3D space. Overall, a captivating and enthralling sequence. Love it or hate it, Juno has become a cult classic since its release back in The opening titles perfectly set the scene of teenage innocence and instantly depict Ellen Page as the main character. It's joyful, explosive stuff that sets the tone for the rest of the movie perfectly. More of an intro than a title sequence, the beginning of the Academy Award-winning Spider-Man: Into the Spider-Verse does a glorious job of bringing you up to speed. Is it Gotham City? VFX artist Paul Franklin says: "The opening shot of Orson Welles' film Touch of Evil isn't really a title sequence in the strictest sense, but in it's tightly choreographed three minutes and 20 seconds it does a masterful job of setting up the tension at the heart of the story. If anyone was going to take this film seriously, the title sequence for JCVD had to take on the unenviable task of restoring his pride and possibly throw in a laugh or too at the same time. The sequence brings natural textures as well as motifs from East German architecture into a surreal space in which figures move past each other on different planes, perhaps interacting, perhaps not. The sequel to Marvel's Guardians of the Galaxy kicks off with an epic title sequence that cleverly combines 11 different visual effect shots into a single tracking shot. It thrilled and terrified me in equal measure. The feeling of being taken on a ride meant some compromise with the technical accuracy of the biological aspect of the shots supplied by medical artist Kathryn Jones , but the final result leaves a real sense of a white water journey being taken. Despite Venice Beach standing in for Mexico β€” and Charlton Heston standing in for a Mexican β€” the image is compellingly authentic, alive with an excited anticipation of what is to come. Not bad for a title sequence that was shot just with a 35mm camera and a Kino Flo in the basement of Jared's close friend and photographer Aaron Ruell. And while in the normal course of things we'd be concentrating on the pitched battle between the the Guardians and a massive tentacled beast, the title sequence neatly focuses instead on Baby Groot dancing to ELO's 'Mr Blue Sky', virtually oblivious to the mayhem unfolding around him. Here β€” in no particular order β€” we pick some of the best movie title sequences ever created and professional designers tell us why they work. Alan Williams worked as creative director on the title sequence for Anne with an E, a TV show based on the novel Anne of Green Gables about an imaginative girl who loves to immerse herself in nature. How would the world look through her point of view? Once again, bringing natural textures into the 3D space was the key to creating a sense of authenticity, so Fong and her team photographed the set. There's an only slightly tongue-in-cheek potted history of Spider-Man, encompassing not only Peter Parker's character but also the larger franchise, with some fantastic nods to highs such as that '70s theme song and lows like a terrifying Spider-Man ice lolly, as well as animated recreations of iconic scenes from previous Spider-Man films. This fuse is subsequently featured throughout the entire sequence and ties the whole thing together, with the camera following it wherever it goes. Technically the shots were pretty cutting edge at the time. However a good portion of the sequence seems more influenced by Saul Bass than anything else, combining typographic elements with animated patterns consisting of simple coloured circles in a strict grid layout. This insane crescendo of aggression building to Van Damme's escape β€” only for the scene to be ruined by a clumsy extra at the last moment β€” and you to realise that this was all a deceitful ruse. This film has haunted me over the years, the way it looks, the music, the creepy atmosphere of it. Blake Edwards' comedy The Pink Panther is a generally uninspired crime caper that's redeemed by two things: Peter Sellers' relentlessly funny performance as Inspector Clouseau, and its spectacular title sequence that marries Henry Mancini's instantly recognisabletheme tune to animation by the legendary Friz Freleng. Still, even so many years on, the brutal simplicity of the titles haven't lost any impact, especially coupled with the equally revered John Williams score. You're almost relieved when you finally arrive at the Overlook Hotel - but then you still have to discover room As well as introducing the characters, the title sequence cleverly shows their entwined connections whilst the motif of exchanged monetary objects alludes to a subliminal parallel desire the men all share. As she walks through her home town, designers Gareth and Jenny use a mixture of 2D and 3D animation along with hand-drawn illustrations. Brad Kunkle created additional paintings especially for the sequence and also served as art director, helping the team to ensure that his style was preserved. Graphic designer Andrew Kelsall says: "The great thing about the sequence β€” apart from only starting a full 10 minutes into the feature β€” is the explosive start when a fuse is lit as the music begins. And if you want to nerd out further, take a look at our collection of the most imaginative movie wallpapers. It's a perfect match for the funny and intelligent film. Related articles New Black Mirror Series 6 Netflix poster is terrifying yet genius The best computer for graphic design in These typography quizzes are unmissable for font fans Brands show support for Black Lives Matter.{/INSERTKEYS}{/PARAGRAPH} So you never saw the scene in full; it was always a partial view surrounded by a sea of black negative space. We even rigged and animated our Anne character but found it no longer read as a painting, feeling digital and uncanny. The aesthetics of the title sequence are typical of It makes typically boring credits exciting, especially with the mood of the music. See more Graphic design articles. Miles Morales, a completely different Spider-Man! Still effective and tense more than 50 years later, this is one of the most iconic title sequences committed to film. The result is something that doesn't quite fit with most of the other films, and that might be for the best. Sticking to the film's organic look, the sequence features an array of objects including burgers, highschool IDs and ready meals. Whilst you're following the tiny car in an almost sublime landscape, the hints of Indian chanting add to the overall dreadful eeriness of the titles, enhanced by the cold credit sequence which rolls in reverse over the screen. Is it the bat-cave? Everything about it matches the stylised comic-book world of the movie so well, which gets the film off to a great start. Recently, Fong directed the title sequence for the new Starz show Counterpart, a science fiction espionage thriller in which a UN bureaucrat discovers his agency is guarding a crossing point to a parallel dimension. The finishing touch of LFO's 'Freak' perfectly sets the tone for the rest of the movie. The work of artist Brad Kunkle was selected for its depth and realism and also its use of gold and silver leaf, which creates interesting reflections. The likes of Saul Bass and Kyle Cooper have set the highest of movie title standards and as you'll see from this list, many graphic designers have clearly been influenced by them, while creating a new breed of iconic and culturally relevant movie title sequences of their own. Offset by tasteful and subtle typography and driven by Trent Reznor and Karen O's thumping version of Immigrant Song, it's a dramatic and intense start that sets the dark tone for the rest of the film. The opening sequence is a mixture of live action in silhouette and animation in black deep red. The typographical choices were picked to depict each team member's personality and style throughout the film and is often described as a homage to their hard work throughout the filming process. The result of this restraint, plus the presence of Brad Kunkle as art director, is a 3D sequence with beautiful movement and light that preserves the natural feel of the original works. The original James Bond movie kicked off a franchise that's still just about limping along to this day, and in its title sequence there's plenty you'll recognise. Once modelled, we then projected these painted elements onto them. When Napoleon Dynamite was first made, the budget was so tight that the filmmakers didn't actually have an opening title sequence. Topics Movies. Jessica Jones is a dark story of a human psyche damaged by trauma and abuse β€” Jessica has PTSD and drinks heavily β€” so the team looked for ways to hint at the vulnerable aspects of her character. {PARAGRAPH}{INSERTKEYS}Movie title sequences set the tone, atmosphere and characters of a film for the audience. We are flung into the film's dark tones, which we then witness for the remainder of the cult-classic. Starting off at the fear centre of the narrator's brain β€” the viewer is taken on a rollercoaster ride through a beautifully dark and disturbing ride out to the skull, complete with neuron firing 'lighting'.